Speaking of product photography we are no strangers, but for the choice of what kind of equipment we know how much?
      Studio support and tripod
      Critical equipment when shooting in the studio, especially when taking pictures of the product, when the studio's landline stand. It is not often used when taking portraits and other types of studio photos, because the subject and the photo taken are often dynamic, so the photographer cannot use a tripod to secure the camera to one point. When you decide whether to use a tripod or a studio landline stand, it depends entirely on the type of shot and the camera you are using. Product photography is relatively static, and when taking a series of product photos, it is often necessary to maintain the same height and angle in order to show certain characteristics of the product.
      What is the difference between a studio support and a normal tripod? The studio flash was originally designed without regard to portability, so it is generally large, bulky, and can move around the bottom wheels in the studio. The arm and node design of the landline support can be controlled very precisely by spherical or hydraulic nodes. This stand is suitable for large-format cameras and other very heavy camera systems, and can be adapted to make smaller and precise adjustments, all of which have enough weight to ensure that the camera fits directly into the stand like a rocker arm.
Comparing, we can see that the tripods are light and compact, and are designed with portability and mobile performance in mind. There are many types of tripods on the market that can withstand different weights, and they are all cheaper than the studio stand. The choice of scaffolding is entirely influenced by personal hobbies and photography processes. If you're always shooting in a studio, then the studio lander stand is a great investment. If you need to be light and need some flexibility, the tripod is perfect for you.

•     Flash stand and clip 
        The flash stand is designed to support studio flashes, and there are several different brands and types of flashes on the market, depending on the purpose for which you use them. The most versatile flash stand is the one provided by the flash kit, which is lightweight and has a retractable design that folds for maximum portability, for example as a backlit and foot-light stand for several different purposes. For most photographers' daily subjects, this stand is sufficient for small flashes, small to medium-sized soft boxes, and reflective umbrellas. When shooting in practice, you can also use a large stand when using a heavier flash head and larger accessories. For this reason, many companies produce C-brackets that are easier to carry and are more suitable for soft soil and sand. The C-brackets are more expensive and heavy than the average telescopic tube bracket, so they can withstand more weight at higher altitudes without bending and swinging. Suspended and suspended brackets that can be extended and moved at a certain angle are also essential equipment for studio photography. The dangling hip allows the photographer to install a flash at one end, while the other end controls the balance with a heavy object. This allows the photographer to mount the lights and their devices directly directly above the subject of the shot without having the frame appear in the camera frame. Cantilevers do not bear the weight of the equipment if they are not strong, resulting in incalculable losses.
  
• In addition, there is a range of strong clips on the market that match the bracket, which are mainly used in professional studios. Power clips come in many different sizes, from support to background paper installation. Product photographers, including portrait photographers, are advised to pack several small clips and grippers in the photography bag, as these clips are useful, such as holding the model's clothes and installing color filter paper before the lights are given.